Feeds:
Posts
Comments

Posts Tagged ‘Baeble Music’

I just had to write this album review for one of my favourite new Montreal bands, The Coward and the Pelican. I’m loving their debut EP. Here is my review…

Written For Baeble Music:

Silhouettes EP
The Coward and the Pelican are a band of fresh-faced youngsters from Montreal, Quebec, a city that has for some time now been known as a Mecca for independent music. It is perhaps fitting then that Philippe St-Louis, his brother Etienne, their sister Evelyne, their cousin Carmen Madfouny and their friends Simon Mercier-Nguyen and Emma Glasser, all Montreal natives, have joined together in forming The Coward and the Pelican. On the band’s debut Silhouettes EP they bring all the energy of their youth along with a maturity in musical composition that is beyond their years.

Upon first listen of The Coward and the Pelican’s Silhouettes EP, it becomes immediately apparent that this isn’t your average band of youngsters. Along with guitar and drums (the staple instruments in rock bands worldwide) they also have a violinist, trumpet player, and flutist. And after listening to band after band of guitar, drums and bass, it becomes sort of refreshing to hear some new sounds enter into the mix. The fact that all the members of the band are still in University, some fresh out of high school makes their sound even more impressive.

The EP is strong from start to finish. The opening track, “Let’s Dress Up Again” displays the band’s lighthearted innocence, while at the same time showcases that they really know how to handle their instruments. The song plays out as a love song but has this cute back-story about dressing up for Halloween (“Scar on his face, his wicked wooden leg, they made my heart race”). “The Peasants Lament” starts out with dramatic pizzicato violin, piano and flute, until the violins and trumpet take over, quickening the pace of this song’s film-score like introduction. Eventually, Evelyne and brother Philippe begin to sing in turn, while the backing vocals give the song its emotional appeal.

Now would normally be the time when I would talk about the album’s potential missteps and pitfalls, but there are truly none to speak of on this beautifully crafted EP. The final three songs continue along with the same energy and song crafting excellence that was displayed on the first two. The band shows their softer side on “Edmond Arfuite”, a ballad composed solely of piano and melodica. This song is also the only song on the EP that is sung entirely in French by Philippe, with sister Evelyne providing a spattering of backup vocals near the end.

Usually a band’s first recordings are rough sounding and at times awkward, as it sometimes takes time for a band to develop and come into their own. This just simply isn’t the case with the Coward and the Pelican’s debut. The Silhouettes EP, while still having that raw unpolished feeling of a band’s first recording, manages to show that while these guys may be young, they are definitely talented. Perhaps even more so than some of the bands out there that have been putting out albums for years and have garnered world-wide fame. This is just about as strong a start for a band as could be imagined and while what the future holds for them may be unknown, things are certainly looking good.

Read Full Post »

mixtape

Hey! So My latest Baeble Mixtape is up. This week we have songs from The Love Language, Here We Go Magic, a never before heard song by Sufjan Stevens and many more! Check it out!

Read Full Post »

So it finally happened! My mac broke! which is why I’ve been away so long. After spending about 2 hours at the Soho Genius bar, I’m back up and running with a new hard drive and a new pair of apple headphones absolutely free. Thanks mac. 

So…whats new? Well there’s last week’s Baeble Mixtape

Mixtape

I’m also loving this girl…

alela-diane

Her name is Alela Diane. Here’s her latest video for the song “Every Path”:

And finally, here are some lovely new bands that I have discovered recently. 

The Peekers

Bombadil

Brian Olive

We The They

We Are Magic

The Love Language

I could go on, but I think that’s enough for now. Hope you enjoy! 

PS: If you haven’t heard The Coward and the Pelican…you should really check them out.

Anybody have Twitter?

Read Full Post »

T.G.I.Mixtape: Volume 9

mixtapeHey there!

Check out my new mixtape for Baeble Music. It’s got some pretty excellent songs on it if i do say so myself! Do you like my artwork? :)

Click here to listen.

Read Full Post »

montreal

Hello! I have just put out my latest mixtape for Baeble Music. This week the whole mixtape is devoted to bands from Montreal.

Check it out!

Read Full Post »

beirut

This is by far the best concert they have filmed so far! I was at the show and let me tell you it was amazing. Take a look at a sample from the show:

And click here to see the rest of the show.

Read Full Post »

noah-and-the-whale

Hey guys, check out the interview I did with Noah & the Whale for Baeble Music:

With the onslaught of great bands coming out of the UK in the past few years, it safe to say that Noah & the Whale has made their mark as one of the best. On their debut album, Peaceful, the World Lays Me Down we got a first taste of their emotion driven rock, fronted by the deep vocals of lead singer Charlie Fink and backed by a great band of young musicians, including Tom Hobden, Urby Whale and Doug Fink. We recently had a chance to hop on the phone with the band’s drummer, Doug, to discuss the band’s future prospects, including an interesting upcoming tour along with a sophomore album nearing completion. We also talked a little bit about the amazingly talented Laura Marling and the band’s benevolent charity work. Take a look. -Greg Lozoff

Baeble: Firstly, your band name is quite unique. I’ve heard that it has something to do with the film The Squid and the Whale. could you tell me a little bit about your band name came to be?

Doug Fink: Yeah, It does indeed. Originally, it was the Squid and the Whale by Noah Baumbach. Take the full name of the director and the tail end of the film and then you have it. It’s also a reference to the fact that cinema is a source of influence for us.

Baeble: Your upcoming tour is called Club Silencio. I’ve heard that it’s going to be a different sort of tour. Could you tell me the concept behind it?

Doug: Yeah, well I guess it’s not totally original. I think people have been re-imagining live gigs for so long now, but the idea is to basically combine cinema with the music. So you get the kind of theme of Mullholland Drive’s Club Silencio, which pretentiously [laughs] is somewhere to deal with reality and illusion and whether something is actually happening or whether you’re basically imagining it. So the idea is that the whole evening will run as a complete program, sort of in an old fashioned way. There will literally be a program. There will also be a compare; a virtual compare, that will be projected on an enormous screen at the back of the stage. And the idea is basically that we show some short films that we’ve selected. There will be footage that we’ve made ourselves and then there’s the support act, and there will be some footage while he plays, and then there will be some more material and then we come on, and then again there’s some more material there. Yeah I guess it’s not really totally ground breaking but we put some thought into it and we’re quite excited to see how it turns out.

Baeble: Well it sounds really interesting. Are you going to be playing mostly songs off of your first album Peaceful, the World Lays Me Down, or will you be playing new songs specifically for the tour?

Doug: It’s definitely going to be a good balance of things. I mean, I don’t really know where this is leading towards. I mean we played in Brooklyn last week and we kind of made the decision to play more or less all new material. We were in New York to mix the second record. So yeah, I think the set is quite exciting. Well obviously it’s developing so it’s hard to know what works live without actually playing it live. And added to that is the need to combine it with the visuals. We think we’ve got the set well worked out so it’s going to be a nice balance between the two I think.

Baeble: I hear you are playing Italy this summer

Doug: [cutting in] The rumors are true.

Baeble: [laughs] Is this going to be your first time playing there?

Doug: Yeah, first time in Italy. We basically got offered to do this string of four dates. And as far as we can gather, if you do those four dates you’ve done the length of Italy [laughs]. So that was the plan. I mean we like Europe a lot. Italy being one of our favorite places so it’s a great excuse to go have a few days there, but yeah it should be good fun.

Baeble: Are you at all nervous or are you more excited to find out how the Italian audiences will react to your music?

Doug: Oh it’s exciting! I think as long as you entice people to express an opinion, either way it’s exciting. I think the bottom line is you have to feel like your doing a good show. And usually between the four of us we can agree that the set is going to work and then afterwards we’re happy with our performances and then you know, it’s all good really. It’s just exciting to play to new people. It’s one of the great thrills actuallyof live music.

Baeble: You guys seem to be a big fan of the cover. When I saw you play in New York City not too long ago you did a cover of the Smiths’ Girlfriend in a Coma, and I just saw the other day that you have a cover of Daniel Johnston’s Devil Town on your Myspace page. Are there any covers that the band is working on for the upcoming tour?

Doug: That’s a good question. Actually no [laughs]. Not at this point. No cover material actually due for the tour. Like I said we’re being slightly more prescriptive with our set than we would normally be. By the nature of the multimedia aspects you have to know what you’re going to do, for the ease of the whole engineering of it. So no, not for this tour. But it’s always great to do cover versions, like just explore songs and kind ofwell you know it’s nice to play the music that’s influenced you.

Baeble: So you told me you’re working on a new album, could you tell me about it? Is it going to be along the same lines as Peaceful, the World Lays Me Down or will this album go in different direction?

Doug: For three weeks in January we recorded it. We mixed it last week in New York with a fine gentleman called Henry Dobbins, who’s the producer and engineer on it. And yeah we’re really excited about it. I mean, it’s definitely still us, and it hasn’t really changed enormously, but it’s definitely more electric than the first record. Just really I guess a tip of the hat to some of the music that we’ve been listening to since we’ve recorded the first record. And maybe it’s slightly more experimental certainly with sounds anyway, and it’s slightly less precious. Like before we went to the studio we had time to really think about the sounds we wanted. And, you know, Charlie’s lyrics are recognizably Charlie’s lyrics. We’d never call it a concept album. It just doesn’t feel like that at all but the way the story runs kind of, well it is a narrative I suppose, or a thread that connects all the songs and I think that’s basically about the disillusion of a relationship. And then the other big plan for the record is Charlie’s making a film for it. So there’ll be a…well I guess you could call it a feature length music video that will run for the whole length of the album, so the album is effectively the soundtrack for the movie. So that’s exciting too, and that’s going to be filmed in April.

Baeble: Did you choose a title for that yet?

Doug: At the moment it’s probably going to be called First Days of Spring. Even though it’s coming out in, well summer here and probably September in the US. So it might be a bit incongruous, but yeah First Days of Spring it looks like.

Baeble: We here at Baeble are big fans of Laura Marling. Will she be again providing backup vocals on the new record?

Doug: No. I think Charlie made the decision basically to have no female vocals on it really, no backing vocals. It’s kind of just where the sound is. I mean I wouldn’t necessarily rule out future collaborations, but they’re both young songwriters so you know, Charlie produced her first record, and Laura sings on every track on our first record so I think it makes sense then to kind of move apart, in terms of recording. But she is actually in the process of sort of demoing her new stuff and it sounds pretty cool.

Baeble: Is it true that Charlie is also designing a T-shirt for the Yellow Bird Project?

Doug: [laughs] Yeah, I mean we all are. It’s a bit of a group effort. Yeah it’s going to happen. We keep coming up with an idea and then someone says no I don’t like that idea, so we haven’t settled on something final yet. But it’s a really great idea.

Baeble: How important is it for you guys to be involved in charity organizations like Yellow Bird?

Doug: I think it’s really important. We would give charity as individuals regardless of being in a band, but I think whatever walk of life you come from there is social responsibility. I think if you can exercise that purely through your bank account that’s fine, but if you can use yourwhatever credibility (you may have) as well I think that counts. I mean, we definitely don’t do as much as we’d like to do. But I mean, over Christmas we were doing demos for our first record and then we got some extra time so over the course of about 24 hours we did another album. We were just having some fun, and we call it our punk album [laughs]. It’s really just us doing some covers and some of our originals and we just called it the A-Sides. And then with Young and Lost Club (Records) we put that out over Christmas and did a gig, and all the profits from that went to a charity called Age Concern in the UK, which is basically for the elderly and disadvantaged people. So yeah I think it is important to have social responsibility wherever you come from really.

Baeble: We’ll that’s nice to hear that you guys did that.

Doug: Yeah you should check out the A-Sides, it’s good fun. There’s some tracks on the Myspace page.

Baeble: I definitely will. As a big Noah & the Whale fan I’d like to hear anything you guys put out. Finally, do you have any plans to play at any of the big Summer Festivals this year?

Doug: We are indeed. In the US we’re doing Coachella, which is going to be really great. And then we’re doing our tour off the back of that, that’s in April, so it isn’t really Summer, but it will feel like Summer for us. And then I think we’re due to do Lollapalooza as well in the US, but I don’t know if that’s been all confirmed yet. And in the UK and Europe we’ll do the usual round of festivals which should be good fun, it’s always good fun.

* * * * * * * * * * * *
Noah and the Whale on Myspace

Read Full Post »

los-campesinos

Hey there. Check out the interview I did with Los Campesinos! for Baeble Music:

“It seems like there is a sort of private club that everyone who likes Los Campesinos! is a part of”

February 14th…Valentines Day. What better way to celebrate then to sit down with one of my favorite bands and have a chat. So in one of the little nooks on the balcony of the Bowery Ballroom in New York City, I met Neil (guitarist) and Gareth (lead singer), two of the seven members of the UK indie pop outfit, Los Campesinos! We talked about issues ranging from their newest album to Kurt Vonnegut, to throwing up by football pitches, along with the insecurities we all feel about how all good things will eventually come to an end.

Baeble: Firstly, let’s start off by telling me your names and where you are from?

Los Campesinos (Gareth): Cool. My name is Gareth.

Los Campesinos (Neil): I’m Neil.

Los Campesinos (Gareth): And we’re in a band called Los Campesinos! From Cardiff, Wales…Europe.

Baeble: I’m sure you’ve heard this question a million times, but where did you get your band name?

LC (Neil): A million and one. [laughs] No it’s ok. I used to be able to speak some Spanish which I have long forgotten pretty much and it’s just a word that I was aware of. So I just thought one day “sounds pretty cool”. It doesn’t really mean anything to us. Just sounds nice, looks alright.

Baeble: What does it mean?

LC (Neil): It translates to the peasants or the farmers, but we’re neither and we represent neither of those. It’s just a word.

LC (Gareth): I think to a British tongue it’s reasonably exotic. And it looks nice written down. And it works.

Baeble: I especially like the exclamation point at the end.

LC (Gareth): Book ends. The Capitol L and the exclamation point nicely book end the rest of the word. I think it looks nice written down. That’s important [laughs].

Baeble: What are some of the differences you have found between playing shows in the UK and playing shows in North America?

LC (Gareth): We much prefer playing North America to the UK. I think the main difference is the audience. Audiences in the UK kind of stand back and wait to be impressed. I guess it could have a lot to do with the that fact that we’re slightly more exciting (to audiences around the world) than to people who we live an hours drive away from, but the audiences that we played to on this tour especially have just been so receptive and dancing and sort of wanting to have fun from the start whereas in the UK it always feels like, and this is from watching other bands play as well, it always seems like it’s the crowd versus the band and nobody really wants to enjoy themselves, but the US is completely the opposite in our experience.

Baeble: Let’s talk a little bit about the new album. How did the name We are Beautiful, We are Doomed come about?

LC (Gareth): We are Beautiful, We are Doomed is kind of a recurring theme throughout the record and what it’s based on. It’s intended to mean a slightly pessimistic also sensible view maybe, that all good things come to an end inevitably. There’s quite a lot of talk about the end of things, be it death or…a new relationship is often exciting and fun but I guess, more often than not is doomed to fail. And also Los Campesinos! itself, what we’re doing is the best thing to do in the world and we get to travel the world and we get to play to people and it’s so much fun but inevitably, eventually it’ll stop. So it kind of seems to be a slogan that can cover a fair few aspects of Los Campesinos! and of what I was writing about at the time.

Baeble: The lyrics to “Miserabilia” are kind of perplexing. Could you tell me a little bit about what that song is about?

LC (Gareth): The song “Miserabilia”…the made up word Miserabilia is a mix between both misery and memorabilia and it kind of alludes to the thought (that) throughout relationships inevitably you acquire lots of mementos and things that remind you of that person and that relationship and then there’s also a tendency, from my experience at least, to cling onto them for longer than is necessary and to keep them after the breakup and then they just become bad memories. And that song is about that; about how people do cling onto these things and these memories that plague them and mess with them.

Baeble: Being Canadian, I have to ask about the lyrics of the song “We are beautiful, We are Doomed”. The lyrics read, “Charlotte says, It’s more constructive than the one in Canada, when you got drunk, ate loads of crisps and threw up by a football pitch”. Could you tell me a little bit about what happened in Canada?

LC (Gareth): That was just one of my many slightly, well incredibly unoteworthy miniature minor breakdowns that I’ve had since being in the band. And Charlotte is my friend. One of my best friends who for better or for worse has kind of become a cancer for me. I do spend an awful lot of time emailing her at home and just whining and complaining about things and she’s always very understanding and at least pretends to care. That was just…I can’t even remember what it was about, but I went a little bit nuts one night and got really drunk and then went to…this was when we were recording our first record Hold on Now, Youngster, I went to a shop and bought loads and loads of crisps and just gorged myself on them and then ended up…I found a soccer pitch…I think that was intended to remind me of home because I’m a big soccer fan. So I found a soccer pitch and proceeded to be sick.

Baeble: I like how you say soccer. Is that for our benefit?

LC (Gareth): It’s kind of gotten to the point now where being in North America for four and a half weeks, the first two weeks we kept saying football and then being like, “oh soccer”. So now I’ve been practicing. But if I still call it soccer when I get home then I’ll be in for some trouble [laughs].

Baeble: One of my favorite tracks on the album is “Between an Erupting Earth and an Exploding Sky”. It’s the albums only instrumental track. Could you tell me how that song came to be?

LC (Gareth): That was one morning Tom got up earlier than the rest of us. We got up at about two in the afternoon, walked into the studio and Tom had recorded it.

Baeble: Really?

LC (Gareth): [laughs] Yeah just on his own.

LC (Neil): It was all his work. He probably had an idea about it a few days before, but yeah, it’s pretty good.

LC (Gareth): And “Between an Erupting Earth and an Exploding Sky” is a quote from a Kurt Vonnegut novel. He’s one of my favorite novelists.

Baeble: Which novel is it?

LC (Gareth): It’s from Timequake is it?

Bable: I’ve read a few of his novels but not that one.

LC (Gareth): Yeah. It’s one of his more difficult ones. But yeah it’s from that. It’s early on in the book.

Baeble: So is it safe to say there is no chance that the next album is going to be all instrumental?

LC (Gareth): [laughs] I don’t think so. If we sleep in every day then we might have two albums worth.

Baeble: What is the song writing process like for you guys besides waking up early and recording all on your own?

LC (Gareth): [laughs] Tom writes the music and I write the words. And then we’ll go into a practice room and people will learn their parts and then we’ll play it and see if the song develops, what changes and doesn’t change. Yeah it’s a pretty simple process. It’s not as confusing as the seven people muddling their way around and trying to work something out.

LC (Neil): We’d never get anything done.

Baeble: Gareth, are you always carrying around a notebook in case you think of a line?

LC (Gareth): Yeah. I’ve got a notebook. But more often than not I’m sat at my computer anyway. So there’s just a hundred million text edit files with embarrassing bits in them and occasionally I have to go through them all and delete everything because I’m just horrified to read it back.

Baeble: You could release a poetry book.

LC (Gareth): I could. I don’t think anybody would release it. [laughs] But yeah.

Baeble: So how have you guys evolved as a band since you all got together in 2006?

LC (Gareth): I think even in the past year, as a band, we’ve all improved so much as musicians, like actually playing our instruments and songwriters. Certainly we are a lot more able than we were in 2006. Even the beginning of last year I think we have improved an awful lot.

LC (Neil): I think for me We are Beautiful, We are Doomed really captures kind of when we got more mature and when we stepped a bit further forward. If you had to put a date on it that would be when recording really changed a bit.

Baeble: I think you can definitely hear it in the music.

LC (Gareth): I hope so, yeah.

Baeble: What would you like listeners to take from your music? Whether it be seeing you live or listening to your albums?

LC (Gareth): I think if you would have asked me that a year ago I would have had a very definite answer. I’ve kind of come to realize that you can’t dictate what people are going to take away from it. I think playing live or listening to the record there are two different ways to go about it. There will be a lot of people that will come to shows and will enjoy how excitable we are and how into it we are and will enjoy the sonic noise of it and that aspect. And they might not listen to the words and they might not read any further into it than that, and that’s great. But equally there are people that will probably stand back a bit and will sort of listen to the record on their bed with headphones taking in every word and trying to read some meaning into everything, reading the lyrics sheets and stuff. Either way, anybody listening and enjoying our music at all is incredibly flattering. I think if we tried to dictate what people take from it then we’d be a bit ungrateful.

LC (Neil): It kind of defeats the object as well.

Baeble: You guys are from the UK, which is an amazing place to find new music. So many great bands have come out of the UK. Do you have any tips regarding new bands from the UK that you think more people should know about?

LC (Gareth): We’re really lucky. There seems to be, not a scene as such, but that there are a group of bands all at a very similar level who are all friends and play with each other and go to watch each other’s shows and support each other and it’s a really healthy environment and a healthy scene. Bands that we’ve played shows with, like Johnny Foreigner. A band who is coming to the US for the first time for SXSW called DANANANAKROYD. They’re incredible. Label mates of ours, bands like Lovvers and Sky Larkin and countless other bands. A band called Pens who are very new who are from London, who are great. It’s a really really healthy musical climate at the moment in the UK. A couple of years ago there was a pretty bad time where everything was just really lack-luster and repeating it self and really pretty bad.

LC (Neil): I think finally everyone who was trying to do something to go against that has finally come to the surface and it’s paid off so to speak.

LC (Gareth): It’s an exciting place to be.

Baeble: I know it is. I was just there actually.

LC (Gareth): Where did you go?

Baeble: Just to London.

LC (Gareth): Did you get to see any shows?

Baeble: Yeah, we went to Rough Trade East and saw Noah & the Whale. We saw Holly Thorsby who’s an Australian singer/songwriter and Daniel Johnston which was amazing. Personally, I enjoyed those shows much better than some of the shows I’ve seen here. The audiences here a lot of times won’t even listen to opening bands and just keep chatting away while they play.

LC (Gareth): I think we’re lucky then because it seems like in the U.S. we’ve kind of…I really like the idea of Los Campesinos! being something that transcended just being a band writing songs and it does seem like we’ve got people that like our band and that are really into it and kind of buy into the things we’re encouraging and it seems like there is a sort of private club that everyone who likes Los Campesinos! is a part of and often looking out into the audience, the front five or six rows are just full of people who seem like they’ve been friends forever and are really enjoying it and are looking out for each other and protecting each other if it gets a bit rough or whatever. And that’s something that we’ve kind of cultivated in the U.S. that hasn’t really happened in the U.K. So I guess our U.S. crowds are nicer.

Baeble: What is the craziest thing you have ever had happen at a show?

LC (Neil): Some girl did a back flip off the stage in Paris.

LC (Gareth): That was good.

LC (Neil): Nearly hit me in the face.

LC (Gareth): We played in Paris and this girl got on stage and ran at the monitor and sort of just flipped off the monitor and ended up in the crowd. That was incredible. And then she just crowd surfed out of the way. That’s probably the most crazy.

Baeble: That sounds a little dangerous yet exciting at the same time.

LC (Neil): We probably wouldn’t retell it in the same way if she had kicked me in the face. [laughs]

Baeble: So what’s next for you guys? Are you going to go straight back to work on the next album or are you going to tour some more?

LC (Gareth): We are back touring North America in April. We’re playing Canada, we’re playing the west coast. We are lucky enough to be going to Mexico as well. And as soon as we have the time we will be recording again. We’re writing new songs at the moment and I think we just want to do as much as we can in the shortest amount of time possible. Because it would awful if we had songs that we never got to release because people stopped caring. So we want to strike while the iron is hot and just keep going. If we didn’t then we’d just be at home bored out of our head.

Baeble: Well I hope you guys keep at it because we love hearing it.

LC: Thank you very much

-Greg Lozoff

Read Full Post »

baeble

If you don’t know about this site yet you are in for a treat! It’s called Baeble Music and what they do is record entire concerts of amazing bands like Dr. Dog, My Brightest Diamond and the New Pornographers and show them for free on their site. You can also buy DVD copies of any show, should you wish to do so. Oh and did I mention that I have been working for them for the past month writing album reviews, show reviews, blogging and interviewing people. It has been a blast so far. Just two days ago I got to interview Los Campesinos! Pretty insane if you ask me. Anyways, if you love the music I often talk about here you should head over to Baeble to check out some awesome concerts.

Take a look at just a few of the many awesome concert videos they have streaming:

Awesome I know.

So stop by some time. And when you do be sure to check the blog section. That’s where I hang. Drop some comments while your at it.

Read Full Post »

« Newer Posts

Follow

Get every new post delivered to your Inbox.